复印室里的复古办公室人像

垂直电影级写实办公室肖像，带细微复古胶片颗粒和克制的观察式编辑氛围，而非窥视感：一位成年女性站在狭窄的办公室复印室里，背靠略偏右的大型多功能复印机。她脚踝交叉，双臂自然交叠在胸前，直视镜头，表情平静而略带疏离。她留齐肩黑色直发和齐刘海，穿修身白色纽扣衬衫、条纹丝带领结、深色及膝A字裙和不透明黑色长袜；材质真实，衬衫为哑光棉，裙子有结构感，袜面细腻。环境包括浅色墙壁、带不可读抽象图形的墙面海报、部分可见的置物架和具有真实塑料金属质感的复印机。空间紧凑但不压迫。平视中等全身构图，从狭窄的前景间隙拍摄，两侧深色模糊垂直形状形成自然框景；主体特别是脸部和上半身清晰，背景浅景深柔和虚化。使用柔和漫射室内顶灯和轻微正面补光，中等对比度与温和阴影。冷绿色青色阴影搭配暖肤色，略微去饱和的柔和青色、米色、米白、炭灰和深黑调色，加入细微胶片颗粒和平衡动态范围，保持亲密、克制、略带怀旧的电影写实感。不要可读文字、品牌标志或窥视式构图。

【English Prompt】
Vertical cinematic photorealistic office portrait with subtle retro film grain and a restrained observational editorial mood rather than a voyeuristic feeling. An adult woman stands in a narrow office copy room, leaning back against a large multifunction photocopier positioned slightly to the right. Her ankles are crossed, her arms rest naturally folded across her chest, and she looks directly at the camera with a calm, slightly distant expression. She has straight shoulder-length black hair with full bangs and wears a fitted white button-up blouse, a striped ribbon bow tie, a dark knee-length A-line skirt, and opaque black tights. Keep materials realistic: matte cotton blouse, structured skirt, fine nylon texture. Include light-colored walls, a wall poster with abstract non-readable graphics, partially visible shelving, and a copier with believable plastic and metal textures. The room feels tight but not oppressive. Eye-level medium full-body composition shot through a narrow foreground gap, with dark blurred vertical shapes on both sides forming a natural frame; keep the subject, especially her face and upper torso, sharply focused while the background is softly blurred. Use soft diffused overhead indoor light with slight frontal fill, moderate contrast, and gentle shadows. Cool green-teal shadows with warm skin tones and a slightly desaturated palette of muted teal, beige, off-white, charcoal, and deep black. Add subtle fine film grain and balanced dynamic range for intimate, restrained, mildly nostalgic cinematic realism. No readable text, brand marks, or voyeuristic framing.

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